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1838 LIBERTY HEAD NGC AU 55

$ 13833.6

Availability: 100 in stock
  • Strike Type: Business
  • Item must be returned within: 14 Days
  • Return shipping will be paid by: Buyer
  • Certification: NGC
  • All returns accepted: Returns Accepted
  • Refund will be given as: Money Back
  • Certification Number: 4627830013
  • Grade: AU 55
  • Circulated/Uncirculated: Circulated
  • Mint Location: Philadelphia

    Description

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    1838 LIBERTY HEAD NGC AU 55
    Grading Service: NGC
    Cert Number: 4627830013
    SKU: 135901
    Coin History
    With John Cabot’s voyage of exploration in 1497, England laid claim to parts of North America, planting the seed that in three hundred years grew into the new nation of the United States. Although settlements weren’t established for more than a century, other European countries lost no time in establishing colonies of their own. The English contented themselves with the eastern seaboard, leaving the Gulf of Mexico and Louisiana to the French. Along with vast territories in Central and South America, the Spanish claimed the West Coast of the North American continent, encompassing an area that was to become California, Arizona and New Mexico.
    Naturally, coins familiar to these emigres served as currency for commerce in their new adopted land. The Spanish eight reales (Spanish dollar) and its subdivisions of four, two, one, and one-half reales were familiar and accepted everywhere, along with assorted English crowns, shillings, and pence. Many unofficial and official Colonial coppers mimicked the British penny and half penny, further filling the need for small change. For large transactions, Spanish, British or French gold pieces saw duty as settlement for quantities of goods, international payments or storage of wealth. The Spanish coins were predominant, as Latin American mines yielded huge amounts of gold and silver, allowing coins from the southern continent to blanket its neighbor to the north.
    Accustomed as Americans were to the Spanish pieces, when discussions of a new monetary system for the United States began after the Revolutionary War, its architects were eager to preserve continuity between the old and the new in formulating their plans. Although Thomas Jefferson and Alexander Hamilton championed decimal coinage as a clean break with Europe’s convoluted monetary systems, one concession to the Old World was made: The basic unit around which the new system revolved was the silver dollar, copying the Spanish coin’s weight and fineness, along with its commonly accepted name. At the top of the new coinage scheme was the country’s premier gold coin, the ten-dollar piece, intended by Congress’ Mint Act of 1792 as America’s face to the world, and symbolically designated the “eagle,” after the national bird.
    Eagles first appeared in the Fall of 1795, less than two months after the half eagles debuted. Both were designed by Chief Engraver Robert Scot, and feature Liberty wearing a cloth cap, facing right, with the legend LIBERTY above and the date below. Flanking the bust on these first year coins were ten stars to the left and five stars to the right. Inspired by a Roman onyx cameo carved in the first century B. C., the reverse depicted an eagle with widespread wings, perched on a palm branch with a wreath in its beak. Encircling the border is the inscription UNITED STATES OF AMERICA.
    The Philadelphia Mint struck just 13,344 eagles with this Capped Bust/Small Eagle design from 1795 to 1797. Although there are only three dates in the short-lived series, it encompasses seven varieties, five in 1795 alone, including the famous and rare nine-leaf palm branch variety. In 1796, sixteen stars flank Liberty, eight on each side, signifying the admission of Tennessee to the Union. The 1797 issue also has sixteen stars, arranged twelve to the left and four to the right. Both the 1796 and 1797 varieties share a common reverse: the palm branch under the eagle has eleven leaves, as opposed to the thirteen or nine leaves of the 1795 coins.
    Unfortunately, the eagle never served its intended purpose as the nation’s gold coin for international trade. Bankers much preferred the half eagle, as it was closer in size to the widely recognized British guineas and sovereigns, the Brazilian 4000 Reis, and the French 24 Livres then in use throughout the world. But even the half eagles saw limited service in commerce, for Europeans hesitated to accept the unusual coins, favoring the more familiar issues of the day. To make matters even worse, as the price of gold rose with the turmoil surrounding the Napoleonic Wars, the undervalued (in relation to silver) U.S. gold coins rapidly disappeared into melting pots, many returning to the channels of commerce as new gold coins in an Old World guise.
    Because early U.S. gold saw little circulation, most surviving Capped Bust/Small Eagle tens are found in relatively high grades, generally from Very Fine to Almost Uncirculated. Mint state specimens are occasionally available, usually the 1795 issues, which appear much more frequently than the later dates of this design. The 1795 coins are often encountered with prooflike surfaces, including some amazingly well-preserved “gems”—apparently many were saved as first-year-of-issue souvenirs. Perhaps some of these exceptional specimens are from the group of 100 eagles presented by Mint Director Henry DeSaussere to President George Washington in October of 1795.
    The 1796 issue is considerably scarcer than the first year coins, particularly in mint state, but like its predecessor, several well struck prooflike specimens have appeared on the market over the years. Eclipsing both dates is the very rare 1797 issue, quite elusive in all grades, with only a few mint state survivors known, including at least one prooflike example which appeared in Stack’s sale of the famed Amon Carter collection in 1984. Although few present day collectors assemble sets of the seven varieties, it is by no means an impossible quest except in high grade, as the rare 1797 and 1795 nine-leaf reverse issues become prohibitively expensive. Most collectors pursue only a single example of this design type. Curiously, a collection of just the three dates cou
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